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A classic 'Fantasia' segment, whether Stravinsky liked it or not October 5, The Rite of Spring Disney Among the eight pieces of music featured in Fantasia, the only one written by a composer who was still living was The Rite of Spring. What did Stravinsky think about his infamous ballet being used to soundtrack an animated portrayal of amoebae that develop into battling dinosaurs?
Well, his feelings about it seem to have Stravinsky personally granted approval for Disney to use the music, and he expressed no disapproval — at least, any that made it on record — when he visited the animation studio and saw work in progress on the segment. He even posed for a photo with Walt Disney, signing it "from an admirer of your great achievements.
Composer Igor Stravinsky himself had signed a contract to do more music with Disney, has blandly averred that Disney's paleontological cataclysm was what he had in mind all along in his Rite of Spring. Walt Disney himself was proud of the decision to depart from the ballet's original story in a primitive ritual, a young girl dances herself to death.
The motion and sweep of it fits right with the music. It was Deems Taylor who suggested that Stravinsky's Rite of Spring might be just the thing for a barbaric battle, and Disney wholeheartedly agreed.
If Stravinsky's ballet was the most musically daring among the Fantasia segments, so was the idea of evolution — or at least, the idea of dramatizing it via animation in a family film.
Walt Disney originally conceived of following evolution all the way up to "the age of mammals and the first men" and even beyond that to "fire and the triumph of man. Despite the fact that the animators knowingly took some creative liberties — the climactic battle between a Stegosaurus and a Tyrannosaurus rex could never have happened, since those animals lived in different eras — the segment was taken seriously enough as an educational aid that a 16mm film of the Rite of Spring sequence was circulated among schools for decades for use in science classes.
The first scenes in the Rite of Spring segment showcased the studio's skill at special effects.
To convincingly depict a wild prehistoric landscape, animators tried every trick in the book — and then they invented some new ones. The spacescapes were made by filming rotating planes of painted stars and a foot tracking shot through a room full of shining beads; the volcano smoke was created by dropping black ink into a vat of water, then flipping the image upside-down so the smoke would appear to rise; and the belching bubbles were drawn over burbling "lava" that the animators created by pumping air into a vat of mud, coffee grounds, and oatmeal.
When it came to the dinosaurs, the Disney animators wanted to go way beyond Gertie — the most famous cartoon dinosaur who had been seen on screen to date.
To capture the dinosaurs' epic scale, they used images of towering skyscrapers to set the scene's perspective. The moment most viewers remember best is the T-rex attack, the fearsome carnivore's eyes glowing red.
It's worth lingering, though, on the lyrical interludes that precede it — with Pterodactyls finding flight, while Brontosaurs quietly graze in a shimmering lake. Stravinsky's eerie music is peaceful yet wary, creating a sense of deep-seated turmoil that's been only temporarily stilled.
Though Stravinsky ultimately soured on the segment, Fantasia helped make The Rite of Spring part of classical music's standard repertoire, a staple on concert programs around the world.
Also, though the segment's science was a little spotty, it had its intended effect: Among the kids who have credited Fantasia for helping introduce them to dinosaurs was Stephen Jay Gould, who went on to become one of the century's great evolutionary biologists.
At an animators' meeting, Walt Disney shared his vision for the segment's conclusion. You've got big waves breaking and wind sweeping over the water! But in the last, there's a sort of stop — pulsating like an old steam engine.The rite of spring stravinsky analysis essay.
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Martha Graham Dance Company The Rite of Spring One of the foremost American choreographers of the twentieth century, a modern dance pioneer, and the creator of an important technique for training dancers, Martha Graham () studied at the Denishawn School in Los Angeles.
Since Nijinsky, Roerich, and Stravinsky’s riotous premiere of La Sacre du Printemps, or Rite of Spring, it has been re-imagined hundreds of times. Some are abstract, some create new.
For many bar leaders, ABA day in Washington has become a spring tradition in which they join some colleagues from around the United States on Capitol Hill for face-to-face meetings with their. Rite of spring essay.
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Watch the video of the ballet, \”The Rite of Spring\” parts 1 & urbanagricultureinitiative.coms the general public\’s response to the premiere of \”The Rite of Spring\”.
How does that reaction compare to the general acceptance of this ballet today and to your reaction to the ballet.