The lost second part addressed comedy. Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry. Definition of a tragedy, and the rules for its construction.
While the work treats many forms of imaginative creation, including comedy, epic, dialogue, and even music and dance, it focuses most particularly on the elements of tragedy.
It is believed by some scholars that for about two hundred years following his death, the works were either lost or hidden.
They were discovered by Sulla B. According to one prominent scholar, Lane Cooper, the Poetics dates from some time prior to B.
By the end of the fifteenth century, however, Greek versions of the text of the Poetics were available in Italy, and Englishmen traveled there to study it.
Often, critics attempt to answer the question of what is to be imitated, and in doing so, defend the concept of dramatic imitation against the negative connotation of an imitation being less pure or noble than the original.
Like Draper, Laurence Berns has argued that by imitation Aristotle meant the imitation of nature. Berns goes on to explain that not only is art to imitate what is "actual in nature," but the perfection that is potential in nature as well.
Catherine Lord has explained that to Aristotle, tragedy was a "goal-directed system," with the goal being catharsis. Brett has examined this goal, noting that the Greek term infers purgation and purification. Berns, on the other hand, maintains that the catharsis Aristotle describes is, in effect, a moral purification in which audience members or readers are taught what to fear and what to pity.
Catherine Lord has quoted the Poetics as stating that "without action there cannot be a tragedy; there may be without character. Hardie explains that within the drama, the "facts and circumstances" through which character becomes defined are the plot.
It is in an effort to "guarantee the individuality of character," Hardie maintains, that Aristotle emphasizes the significance of plot.
The work has greatly influenced the development of literary criticism and continues to be regarded, in the words of Lane Cooper, as "one of the most illuminating and influential books ever produced by the sober human mind.Aristotles Poetics is considered the guide to a well written tragedy; his methods have been used for centuries.
In Aristotles opinion, plot is the most important aspect of the tragedy, all other parts such as character, diction, and thought stem from the plot.
Aristotle’s Poetics Questions and Answers. The Question and Answer section for Aristotle’s Poetics is a great resource to ask questions, find answers, and discuss the novel. Any opinions, findings, conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of UK Essays.
Published: Mon, 5 Dec Firstly, the clamorous opening scene of ‘King Lear’ introduces initial elements of Lear’s tragic heroism, such as his tragic flaw and the hamartia. Aristotle's Poetics Aristotle Aristotle's Poetics literature essays are academic essays for citation.
These papers were written primarily by students and provide critical analysis of Aristotle's Poetics. Aristotle obviously had his ideas in his essay “Poetics”, writing about the Protagonist and the Antagonist and how the two will come together to create a story that will serve as entertainment for the masses.
Aristotle wrote on a multitude of topics including metaphysics, biology, psychology, logic, and physics. While earlier and contemporary philosophers are believed to have influenced Aristotle's.